Track Listing
1. Songbird
2. Silhouette
3. Forever In Love
4. Everytime I Close My Eyes - (with Babyface)
5. Sentimental
6. Moment, The
7. How Could An Angel Break My Heart - (with Toni Braxton)
8. Loving You - (previously unreleased)
9. You Send Me - (with Michael Bolton)
10. Going Home
11. Havana
12. By The Time This Night Is Over - (with Peabo Bryson)
13. Baby G - (previously unreleased)
14. Don't Make Me Wait For Love
15. Theme From Dying Young
16. All The Way / One For My Baby (And One More For The Road) - (with Frank Sinatra)
17. Innocence

Details
Contributing Artists:	Babyface, Michael Bolton, Peabo Bryson, Toni Braxton
Distributor:	BMG
Recording Type:	Studio
Recording Mode:	Stereo
SPAR Code:	n/a

Album Notes
Personnel includes: Kenny G (soprano saxophone); Babyface, Toni Braxton, Michael Bolton, Frank Sinatra, Peabo Bryson, Lenny Williams (vocals); Randy Walker (programming).
Producers include: Kenny G, Babyface, Walter Afanasieff, Dan Shea, Michael Bolton.
Engineers include: Gordon Lyon, Steve Smart, Gerry Brown.
This is one for the time capsule. If future humanoids wish to hear what defined our more delicate natures in this, the turn of the century/millennium period, they could not possibly overlook the ubiquitous Kenny G....the sweet bird of solace bravely winging his way over two decades of hyper-stimulus and inner turmoil. All his greatest hits are here, mostly written and produced by the man himself, and featuring guest spots by fellow legends Tony Braxton and Babyface. These tunes will coddle you into the comfort zone, provided you're not immune to an occasional heartstring tug. May this master of the soprano saxophone reign supreme over his deserved domain, for he has given us the one thing our digitizing, mega-byting, voice-mailing, downsizing, over-taxing era could not provide; peace.

Editorial Reviews
...a testament to the joy of unadorned melody....Surprisingly, the weakest spots are duets with Toni Braxton...and Michael Bolton...whose histrionics reduce the G-man to a sideman. - Rating: B-
Entertainment Weekly (12/12/1997)